Romance Poetry posted September 6, 2024


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A Traditional Ballad

The Maiden of the Dying Love

by Patrick Bernardy

 
A tavern bard with a priceless lute. A common room of weathered Medieval souls aching for something artful. Tragedy is always preferred, for misery loves company. The bard is reknowned, his talent is obvious, and the innkeeper is paying him well. The first chord from the lute, and the spell is cast. Mouthfuls of ale are swallowed, tankards are set quietly on wooden tables, and barmaids tuck greasy rags down linen blouses and find favorite laps to rest and listen. The bard's voice is warm syrup dripping from the Tree of Tragic Tales ... 
 
 
It left the quay, a ship of strife,
     on a slate-gray clouded morn.
High seas fetched forth a man-child’s grin 
     and a mother most forlorn.
She drenched with tears an aging breast 
     which suckled once the child
who stood now pleased astride the prow, 
     dark eyes far and wild.
 
Her love dismissed, in spraying mists, 
     stood Gabrielle on the dock,
dour gown swirls beneath apricot curls, 
     youthful world in shock.
What hateful nerve did Thetis use 
     to beguile her virile boy?
That Siren bitch, in soothing pitch, 
     with her fledgling love did toy!         
   
CHORUS          
    On solemn, careless winds the timeless tides they swell.
    What tale of hope or woe will these endless breakers tell?
    Splashes, crashes, foam and froth—begging him to stay,
    the maiden of the dying love sheds anguished tears today!
 
On pinkish reef just out to sea 
     flared a pair of milky eyes.
The queen of seas absorbed the curse 
     and stretched her briny thighs.
What mortal girl would fling such hate
     —a Greek lass doomed to reap!
The winds will blow, the seas will churn, 
     and the brazen girl shall weep. 
 
Day-by-day on lonesome quay 
     no homeward ship did moor,
but news of storms and surging seas 
     with merchants came ashore.
Gabrielle, whose hope did wane, 
     sat on a soaring crown,
flinging prayers—vigil held!
     —and sleeping on the down.         
   
CHORUS          
    On solemn, careless winds the timeless tides they swell.
    What tale of hope or woe will these endless breakers tell?
    Splashes, crashes, foam and froth—squinting from the lee,
    the maiden of the dying love casts bitter tears to sea!
 
The horizon line—that rigid sign!
     —once calming thoughts could bring,
and a lofty gull on salted wing 
     would gift some hope to cling.
But now the twilight fades to black 
     and stars bejewel the sky,
and the rising tide makes no reply 
     to her tortured, ceaseless cry.
 
Queen Thetis of the ocean blue, 
     sent nymphs in scanty clothes
to tempt the boy with lust and fame
     and all the loot that glows.
And Gabrielle, who gave her heart 
     to one who would be free,
flung herself from the soaring crown 
     into the savage sea.          
   
CHORUS          
    On solemn, careless winds the timeless tides they swell.
    Now a tale of tragic love these endless breakers tell!
    Splashes, crashes, foam and froth—blood swirls in the tide,
    the maiden of the dying love on cresting waves must ride.
 



Write a Song contest entry


"A ballad is a type of poem that tells a story and was traditionally set to music. English language ballads are typically composed of four-line stanzas that follow an ABCB rhyme scheme. The ballad is one of the oldest poetic forms in English. There are so many different types of ballad that giving one strict definition to fit all the variations would be nearly impossible. The simplest way to think of a ballad is as a song or poem that tells a story and has a bouncy rhythm and rhyme scheme. Traditional ballads are written in a meter called common meter, which consists of alternating lines of iambic tetrameter (eight syllables) with lines of iambic trimeter (six syllables). Many ballads have a refrain (a line or stanza that repeats throughout the poem), much like the chorus of modern day songs."
~from LitCharts
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